Showing posts with label war film. Show all posts
Showing posts with label war film. Show all posts

Friday, 6 April 2012

Film Review Ich war neunzehn-Konrad Wolf


Ich war neuenzehn

FIlmed in 1968. Directed by Konrad Wolf, East Germany

Based on director Konrad Wolf’s war diary and set In the last days of World War II.  The protagonist, Gregor Hecker, is a 19 Year old Communist German serving with the Soviet forces and is returning to his homeland. He last saw Germany, when he left as an 8 year old and emigrating to Moscow with his Communist. Although born in Köln, he considers Moscow, where his mother lives, home.  He serves in a propaganda company with his friend Sasha and Chingis the driver. His weapon is a loudspeaker truck. Together they try to persuade , with little success, Wehrmacht soldiers to surrender. 
 
He is at home amongst the Soviets, however during the film he meets his fellow countrymen and tries to understand how the Germans could have allowed the National Socialist regime to exist. Instead of a single type of German he finds that Germany is made up of those that supported National Socialism, those that suffered under National Socialism, those that have suffered from the war, Socialist resistance fighters, ordinary soldiers who did as they were told and fanatical Nazis that want to fight to the last bullet.

His odyssey begins in Bernau, where he unexpectedly becomes “Town Commandant”, he acts as negotiator for the surrender of the Spandau Festung, via Sachsenhausen Concentration camp, then to Sanscouci and arrives at a farmhouse on the last days of the conflict, where he is trying to persuade the fleeing columns of Wehrmacht soldiers to surrender. Here Gregor is forced to defend the farm from the fleeing SS who open fire on him, killing Sasha. Gregor fights side by side with a Wehrmacht soldier to defend the farm house. Gregor swears to hunt down the SS and promises to build a new Germany where the SS will have no home.

Friday, 1 July 2011

Comparisons between 1950's and 1960's War Films

Konrad Wolf, the East German film director, once described himself as a “Vaterlandsverrätter” (Herlinghaus, 1982,10) because he experienced the war, not as a Landser, but as a Red Army Officer resisting and finally defeating the Nazi’s on the Eastern Front. This description of him was given to him by students in the late 1940’s when still a Soviet citizen he lectured the students of a University about Antifascism. Against the background that even in the mid 1950’s polls in West Germany showed that 53% of former Wehrmacht soldiers and at least 30% of civilians still believed that resistance to Hitler was “treason” (Köppen, 2010, 62) and the East German establishment believed that resistance to National Socialism was the norm (Wölfel, 2012,3) that he and other directors of the 1950’s and 1960’s grappled with the thorny subject of what it meant to be a resistor in Hitler’s Germany.

On Friday I was a speaker at the excellent "Subversion and Resistance in German Film Conference" at the University of Leeds. You can download a copy of my presentation here.